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Conceived on 2026.02.01 Completed on 0000.00.00
Embrace.
Exaggerating a part of the chair,
a feminine bearing is embodied through embrace.
抱擁。
椅子のバランスを歪める
大きく膨れ上がった肘掛けとの抱擁 -
Conceived on 2026.02.27 Completed on 0000.00.00
Sink.
Wrapping, not upholstering.
The body sinks into the bouquet.
Remnants become art, art becomes the chair.
沈花。
生地を張り込まず、咲かせる
人はその花束へと沈む -
SS27
Exploring femininity as it emerges through the relation between chair and body.
Visual studies toward upcoming physical works.
Toward the first physical presentation.
人と椅子との関わり合いを通して生まれる
女性的で幻想的な佇まいを考える
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Experimental Form.
素材のバランス実験。残材によるアート
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Dressing a Chair
I seek the moment when the boundary between person and object dissolves, revealing a singular scene of fantasy and drama embedded in the everyday.
Hungry Scissors -
Conceived on 2026.02.17 Completed on 0000.00.00
Disruption.
Rupturing the form of a conventional chair, femininity emerges within the dissonance.
決裂。
椅子の構成をずらし、壊す
それにより生じる余白を讃える -
Visual study for upcoming presentation.
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Beyond functional objects lies a scene of fantasy.
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Conceived on 2024.01.19 Completed on 2024.01.25
Art in balance. Movie. IN FOCUS INC.
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Photo. Tadamasa Iguchi
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